Music for Abolition, directed and curated by Terri Lyne Carrington, brings together musicians across
variety of genres to create a soundtrack—and provide a heartbeat—to our shared struggle for
Expressing grief, rage, exhaustion, and resolution in the face of the U.S. history of racism and
oppression, the music resonates with calls of freedom.
Terri Lyne Carrington and Social Science Pray
Us n’ We
Composed, performed and filmed by Terri Lyne Carrington and Lisa Fischer
Edited by “Yo V” (Vilho Louhivuori)
Us n' We examines the issues of isolation, mental illness, grieving, profiling,
love, freedom... and their relationship to incarceration.
Composed by Kris Davis
Performed by Kris Davis, piano
Val Jeanty, electronic percussion,
Lily Finnegan, spoken narration
Terri Lyne Carrington, sound design/production
“Yo V” (Vilho Louhivuori), video editing
Sleepwalkers act in mindlessness, prison guards enforce. How do we imagine a society
away from what we are told is possible? Free of sleepwalkers and prison guards? Imagination is a
element of abolition. This piece was inspired by the words of Robin D.G. Kelley and Jackie Wang,
whom are quoted.
Can You Imagine
Lyrics by Maimouna Yousef aka “Mumu Fresh”
Poetry and Music Production Queen Cora Coleman
Mastered by Carlos Garza
Mumu Fresh is filmed by Anshia Crooms
Queen Cora is filmed by Sudari Scott
Can You Imagine is a collaborative work between Mumu Fresh and Queen Cora that shares an
journey of a young boy who fell victim to the highest expression of insecurity through white
Supremecy. This young man later becomes the father of Mumu Fresh. Can You Imagine, a piece that
shares the hope of new perspective, goes on to encapsulate the vision of life, through poetry,
without the need for bondage and incarceration because LOVE and IMAGINA serve as the primary
expression of human engagement.
Freedom Is No Fear
Nicholas Payton: video directing, video editing, trumpet, keyboards, bass
Sasha Masakowski: looper, drum machine
Rob Davis: live music video director
Sarah Rochis: live music camera
Antoine Staib: visual effects
Andrew Block: sound engineer
As a Black American, when I think about abolition, my mind immediately goes to music as being
first means of crafting our liberation, post-colonization. When we were not allowed to speak our
native tongues, we created a new language in the Blues. In this piece, we use sound and visuals
means of recalling a lineage in which our traumas are not commodified for entertainment or media
fodder. We use repetition to help break through the mental fog of false constructs like racism
sexism. Throughout the composition, our ancestor Nina Simone is heard reminding us that freedom
no fear. To me, abolition is more than just visualizing a future in which we are free, but that
freedom is now and it starts in the mind.
ONLY THE SHADOW KNOWS (HONEY) / RIOT
Jason Moran - Pianist/Composer
Kyle Abraham - Choreographer
Claude “CJ" Johnson - Dancer
Ashli Bickford - Camera
Dan Scully - Additional Film Editing
Filmed at Kaatsbaan Cultural Park
Archival Footage of Newark Riots of 1967
This piece aims to highlight the pace at which abolition occurs. It lasts longer than a moment,
more than a lifetime, spanning generations of seekers. The choreographer Kyle Abraham puts the
moving body in front of us, because it is the most important part of actualizing our vision of
abolition. The body changes shape, struggling to set a tempo for a “movement.” Frederick
Douglass does this by also frequently posing in front of a camera. These images become chapters.
By documenting his existence, he becomes the most photographed man of his time, verifying his
body and mind. The dance verifies the body in the moment, responding to the sound. When we feel
we are static, much energy is stirring for the next gesture, to give the smoke a shadow.
As a society we have been conditioned to be creatures of comfort. We artificially sweeten
inconvenient truths to make us feel good. We hold onto lies to make us feel right. Imagine a
society where we all feast on love and nurture each other in a way that uplifts every
individual's inner light.
Composed, recorded, & shot by - Malcolm-Jamal Warner
Edited by - Nathan Anderson
You Ought To Be Ashamed/Expanse
Some of us have been dreaming of
Some of us have been slowly making plans
A place where we can stretch our toes
The kind of vastness where a body doesn’t know
Which way to go
You Ought To Be Ashamed - music and lyrics by Porter Grainger
Expanse - music and lyrics by Cécile McLorin Salvant
Voice, piano, animation, editing by Cécile McLorin Salvant 4
Photographs courtesy of Library of Congress free to use and reuse sets
Abolition Think Tank
Abolition think tank is a shared exploration of concrete steps needed to move past our present
punitive culture, led by three incarceration veterans, Sadiq Davis, Richard Garland and James
Badue-El, who actively work to facilitate positive societal re-entry for others.
Film, Music and Editing by Nicole Mitchell Gantt
Spoken Word by Sadiq Davis, Richard Garland and James Badue-El
Photographs by Chris Benson, Library of Congress, Eye for Ebony, Nicole Mitchell Gantt, Unseen
Histories, Trust Tru Katsan, Kayle Kaupange, Glodi Miessi, Humphrey Mule, Andrae Ricketts, Jon
Blind Emotions is an original composition inspired by my teaching artist work at Sing Sing
Correctional Facility in Ossining, NY. Through this work I have learned more about myself and
the creative process than ever before, and have also clearly seen the way in which music can
humanize any and every experience, even in those settings that attempt to dehumanize the most.
Blind Emotions is dedicated to all the artists on the inside who I have learned from and grown
with. It is a testament to the possibilities in each of us to look beyond our own inherent bias,
to see all human beings as deserving of true restorative justice and to consider all of the
intersectional societal factors at play in any given situation. It is a call for us to reimagine
our carceral spaces and expand our imaginations.
Written, performed and edited by Sarah Elizabeth Charles
Filmed by Sarah Elizabeth Charles & Inner World Films
A song authorities said was taught to children during Black Panther breakfast programs,
including the verse, “Oink oink, bang bang, dead pig,” was released yesterday by police. Sgt.
Dan Cook said the song was sung to officers by five children who were sprayed with a tear gas
grenade they found at a Black Panther building and accidentally triggered. Cook said the
reference to officers as “pigs” in the song was understood by the children. Part of the song,
according to Cook, was: “No more sisters in jail, “Off the pig. “No more brothers in jail, “Off
the pig. “The revolution has come, “Off the pig. “Time to pick up your gun, “Off the pig. “And
put the pigs on the run, “Off the pig.” Cook said the children were taught to march to another
verse: “Piggly Wiggly, you gotta go now. “Oink oink, bang bang, dead Pig”. A cannister was found
in a box of clothes in a garage where the panthers conduct a “free breakfast’’ program for
children. The boy accidentally pulled the pin on the grenade and sprayed himself, his two
brothers and two sisters. They were treated at Central Receiving Hospital for minor eye
irritations and released. Cook said no arrests were made in the tear gas incident but an
investigation was being conducted.
by Orrin Evans and Eric Revis
I first learned of abolitionism and activism through my grandfather, the late Big Chief Donald
Harrison Sr. The only man to lead four nations of the Black Tribes of New Orleans, Louisiana
(regionally referred to as Black Indians). These maroon clans have stood in open opposition to
the injustices of this land since the first decade of the 1700s. I often find myself looking to
the lessons of my childhood for guidance, and deeper understanding of what has happened before.
As chief carrying on this fight, our fight, his fight, their fight, is a mandate that cannot be
ignored. He taught us that the ire of the fight for liberty in this land was rooted in those
unwilling to yield to the shadow of injustice. That this fight is also the fight of all those
within you, and most importantly, those who would become. Those whom your actions will inspire.
"Incarnation" was written to offer reverence to those who waged this fight before us. The
countless volumes of liberators who now speak through you and I. As we continue to endeavor this
country into light, it is paramount that we do so tethered to the force and energy of their
lifetimes and sacrifices, pulling every fathomable resource rooted in light to our cause in
ending the campaigns of hate and fear once and for all.
Chief Christian Scott aTunde Adjuah: Adjuah Trumpet,
Sonic Architecture - All Parts
Sogo, Atsimevu, Kaganu, Kroboto, Kidi, Gankogui,
Fontomfrom Antunpan, Apentemma, Petia, Donno,
Kenkeni, Sangban, Doundoun - All Parts
Cages are no place for any being. Abolish prisons. Abolish ICE. Abolish Borders.
filming of Samora by Christian Padron & Sammy Suh
filming of Elena by Akintunde Ahmad
song by Samora Pinderhughes
edited by Samora Pinderhughes
Samora & Elena Pinderhughes - vocals
Samora Pinderhughes - wurlitzer
Elena Pinderhughes - flute
Argus Quartet - strings
Brad Allen Williams - guitar
Boom Bishop - electric bass
Immanuel Wilkins - alto saxophone
Lucas Pino - tenor saxophone
Three-time GRAMMY® award-winning drummer, producer, educator and activist, Terri Lyne
her professional career as a “kid wonder” while studying under a full scholarship at Berklee
Music in Boston. In the mid '80’s she worked as an in-demand drummer in New York before gaining
recognition on late night TV as the house drummer for both the Arsenio Hall Show and
In 1989, Ms. Carrington released a GRAMMY®-nominated debut CD on Verve Forecast, Real Life
toured extensively with Wayne Shorter and Herbie Hancock, among others. In 2011 she released the
GRAMMY®Award-winning album, The Mosaic Project, featuring a cast of all-star women
vocalists, and in 2013 she released Money Jungle: Provocative in Blue, which also
establishing her as the first woman ever to win in the Best Jazz Instrumental Album category.
To date Ms. Carrington has performed on over 100 recordings and has worked extensively with
artists such as Al Jarreau, Stan Getz, Woody Shaw, Clark Terry, Cassandra Wilson, Dianne Reeves,
Moody, Yellowjackets, Esperanza Spalding, and many more. Additionally, Ms. Carrington is an
doctorate recipient from Berklee, and currently serves as Founder and Artistic Director for the
Institute of Jazz and Gender Justice.
In 2019 Ms. Carrington was granted the Doris Duke Artist Award, a prestigious acknowledgement in
recognition of her past and ongoing contributions to jazz music. Her current band project, Terri
Carrington and Social Science (a collaboration with Aaron Parks and Matthew Stevens), released
debut album, Waiting Game, in November, 2019 on Motema Music.
Lisa Fischer is a two-time Grammy Award-winning singer-songwriter with a
career as a
first-call background singer who has toured with Luther Vandross, The Rolling Stones, Sting,
Turner, Nine Inch Nails, and countless others.
Lisa earned her first Grammy Award as a solo artist in the Best R&B Performance category for the
single, “How Can I Ease the Pain.”
She is featured on seminal projects by Lang Lang, Yo-Yo Ma, Billy Child, has collaborated with
Alonzo LINES Ballet, and has a lead role in the Oscar-winning documentary "20 Feet From
Pianist-composer Kris Davis was voted pianist of the year in the 2020 Downbeat
Poll and in the
2019 Jazz Times Critics Poll. She won both composer and pianist of the year in 2020 by the Jazz
Journalists Association. The New York Times dubbed her as one of the music’s top up-and-comers
“One method for deciding where to hear jazz on a given night has been to track down the pianist
Davis.” To date, Davis has released twelve recordings as a leader. Her newest release Diatom
voted number jazz album of 2019 by The New York Times and NPR among others. Davis works as a
collaborator and side person with artists such as John Zorn, Terri Lyne Carrington, Craig
Tyshawn Sorey, Eric Revis, Johnathan Blake, Michael Formanek, Tony Malaby, Ingrid Laubrock, Mary
Halvorson and Tom Rainey. Davis received a Doris Duke Impact award in 2015 and multiple
compose new works from The Shifting Foundation, The Jazz Gallery/Jerome Foundation and the
Council for the Arts.
She is currently the Associate Director for the Berklee Institute of Jazz and Gender Justice and
own music label, Pyroclastic Records.
Haitian electronic music composer/percussionist/turntablist, Val Jeanty evokes
realms of the creative subconscious. She incorporates her African Haitian Musical traditions
present and beyond, combining acoustics with electronics and the archaic with the post-modern.
"Afro-Electronica" installations have been showcased in New York City at the Whitney Museum, the
of Modern Art, the Brooklyn Academy of Music, the Village Vanguard and internationally at
Music Festival in Austria, Stanser Musiktage in Switzerland, Jazz à la Villette in France, and
Biennale Di Venezia Museum in Italy. She currently teaches at Berklee college of Music.
Lily Finnegan strives to push boundaries and not adhere to labels. For her,
and envisioning the world she wants to live in. Through growing up in a music loving household,
became her focus and main vehicle of expression. She graduated with a Bachelor of Arts degree
University of Wisconsin-Madison in May 2020, where she majored in Jazz Performance and
she is part of the Masters program at the Global Jazz Institute through Berklee College of
has played with a variety of musicians and bands spanning many styles, such as free
punk and experimental music.
Cora C. Coleman, better known as “Queen Cora”, is an author, producer, business
owner, and international drummer. Her showmanship is recognized as inspiring, passionate and
explosive. Throughout her music career, she has performed in 40 countries, before hundreds of
thousands of attendees and millions of viewers. In addition to her 5-year tenure with Prince and
3-year tenure with Beyoncé, she is the only musician to play in 2 of the United States NFL’s Top
Best Super Bowl Half-Time Shows with both artists. Queen Cora graduated valedictorian of
High School (Houston, Texas, USA) and received her Bachelor of Fine Arts Degree in Music
at Howard University in Washington, D.C., USA.
Maimouna Youssef, also known as Mumu Fresh, is a Grammy-nominated singer, MC,
songwriter, activist, and hip-hop artist. In 2018, Youssef was awarded the post of Musical
Ambassador for the United States and traveled to Central America to support the rights of young
women. Her stage shows have been described as unique and spiritual experiences, captivating
audiences in world-famous venues such as Lincoln Center, Carnegie Hall, the Kennedy Center, and
As a leading voice in American popular music, the Grammy Award-winning Nicholas
Payton is a
multi-instrumentalist, vocalist, composer, producer, arranger, essayist, and social activist
defies musical and artistic categories. All the while, he honors the tradition of what he
“postmodern New Orleans music,” as well as the spirit of Black American Music, of which he
“There are no fields, per se. There are lineages.” Payton has released over 20 recordings as
leader, pushing musical boundaries and showcasing a variety of contemporary and traditional
while displaying his ambidextrous ability to play both the trumpet and keyboard at the same
when he’s inspired to do so. He has collaborated with numerous mentors and contemporaries
ranging from Common and Cassandra Wilson to Trey Anastasio, MonoNeon, and Jill Scott, to Dr.
Joseph “Zigaboo” Modeliste of The Meters, Allen Toussaint, and Abbey Lincoln to name a few.
recent albums are Quarantined with Nick and Maestro Rhythm King, both released in
2020. In addition
to Payton’s work as a performer, he is an equally respected composer, having written
an orchestral work, which the Czech National Symphony Orchestra commissioned and
performed. As a leader, Payton's seminal writings and discussions on the problematics of the
and associations of "jazz" have inspired musicians, researchers, music listeners, and
Jazz pianist, composer, and artist Jason Moran is the Artistic Director for Jazz at
Center, has recorded 16 solo albums, and was named a MacArthur Fellow in 2010. His trio The
Bandwagon has produced a profound discography for Blue Note Records and Yes Records; a label he
co-owns. He has collaborated with major art world figures as Adrian Piper, Glenn Ligon, Kara Walker
and many more. His touring exhibition JASON MORAN, began at the Walker Art Center and continued to
the Wexner Center and Whitney Museum. Moran has composed scores for Alonzo King's Lines Ballet
Company, Ronald K. Brown's Evidence Dance Company, Ava Duvernay's Selma, The 13th, and both
and HBO film adaptation of Ta-Nehisi Coates' Between the World and Me.
Kyle Abraham is a 2013 MacArthur Fellow and 2016 Doris Duke recipient, who has
recently featured in
The Oprah Magazine, Kinfolk, and Vogue Italia, 2018 Princess Grace Statue Award recipient and
Lincoln Center Education Artist in Residence. Mr Abraham is the founding Artistic Director of A.I.M,
an American contemporary dance company, created in honor of his history, experiences and artistic
interests. In addition to performing and developing new works for A.I.M in 2019, he also
choreographed and premiered The Bystander for Hubbard Street Dance Chicago, Only The
Lonely for Paul
Taylor American Modern Dance Company and Ash, a new solo work for American Ballet Theater
Misty Copeland to rave reviews.
Malcolm-Jamal Warner is a well-respected Emmy-nominated actor, Grammy-Award winning
musician, and activist. Though most known for his iconic role on the celebrated "The Cosby
Show," Malcolm successfully navigated his way through teen stardom to become known in the
entertainment business for not only his seasoned acting talents, but also his accomplishments on
the music, directing, and producing fronts, making him one of the most accomplished talents in
the industry today. A staple on the stage, television, and film for over 30 years, and now on
his 10th television series, "The Resident," (on Fox/HULU), Malcolm has been able to gracefully
sustain longevity in an industry fraught with uncertainty and instability
Cécile McLorin Salvant, is a composer, singer, and visual artist. Salvant has a
storytelling and finding connections between vaudeville, blues, folk traditions from around the
world, theater, jazz, and baroque music. Salvant won the Thelonious Monk competition in 2010, has
received Grammy Awards for Best Jazz Vocal Album for her 3 latest albums, “The Window”, “Dreams and
Daggers”, and “For One To Love”. In 2020, Salvant received the MacArthur fellowship and the Doris
Duke Artist Award. Salvant’s latest work, Ogresse, is a musical fable in the form of a cantata that
blends genres (folk, baroque, jazz, country) and is development to become an animated feature-length
film, which Salvant will direct. Salvant also makes large-scale textile drawings which can now be
found at Picture Room in Brooklyn, NY.
Nicole Mitchell is an award-winning flutist, composer, bandleader, and educator
whose research centers
on the legacy of contemporary African American culture. Mitchell served as the first women president
the Association for the Advancement of Creative Musicians (AACM). Mitchell has repeatedly been
#1 Jazz Flutist by Downbeat magazine and the Jazz Journalists Association from 2010-2020
critically acclaimed Black Earth Ensemble (BEE) has been her primary compositional laboratory, with
which she has performed internationally. She has composed works for the French Ministry of Culture,
Museum of Contemporary Art Chicago, and the Newport Jazz Festival, to name a few. Mitchell is a
professor of music, the William S. Dietrich II Endowed Chair in Jazz Studies and the Director of
Studies at University of Pittsburgh.
Sarah Elizabeth Charles is a vocalist based in New York City. She works with
artists such as Christian Scott and Sheila Jordan, and has released three critically acclaimed
albums with her band, SCOPE. Charles has performed at venues including The White House and Carnegie
Hall, and had a commissioned composition performed at The National Gallery in Washington D.C.
Charles teaches at Carnegie Hall’s Sing Sing Correctional Facility and has developed a music
education program with Rise2Shine, a non-profit organization based in Fond Parisien, Haiti. She is
the recipient of Yale School of Music's Distinguished Teaching Artist Award, the New York City
Women's Fund grant, and more. One can only look to the future for more unique music from this one of
a kind artist.
Pianist/composer Orrin Evans has always charted a vigorously individual path, and
has 25 albums to
his credit. While remaining rooted in the blues and bop tradition, Evans’ influences range from
soul-jazz to the avant-garde, R&B to rock. Evans has worked with many musicians including Bobby
Watson, Ralph Peterson, Christian McBride, Eric Revis, and many more. He has also worked with poets
Sonia Sanchez and Amiri Baraka, created multimedia projects with dancers and videographers and
composed the soundtrack for the PBS documentary Revolution ’67 and suites commissioned by
Lincoln Center and the Metropolitan Museum of Art. As a producer, Evans has helped capture the
electricity of peers and up-and-coming artists while imbuing other musicians’ projects with his own
GRAMMY Award-winning bassist and composer Eric Revis courts a stubborn infatuation
Following an apprenticeship with Betty Carter, Eric has collaborated with would enter an ongoing
association with Branford Marsalis, and collaborate with such distinctive voices as Peter Brötzmann,
Jeff “Tain” Watts, Kris Davis, and many more. He co-founded Tarbaby, alongside Orrin Evans and
Nasheet Waits, as well as Options, featuring Waits and Bennie Maupin. In 2020, the prolific composer
issued Slipknots Through a Looking Glass, his first release on Pyroclastic Records. Earning
stars from DownBeat and the number-three spot on NPR Music’s 2020 Jazz Critics Poll, the quintet
recording received praise from The New York Times, JazzTimes and Rolling
Stone and features Davis,
Bill McHenry, Darius Jones and Chad Taylor.
Chief Christian Scott aTunde Adjuah is a two-time Edison Award winning and five-time
nominated sonic architect, composer, producer, Stretch Music record label and app company founder,
and crowned Chieftain of the Xodokan Nation of the Black Tribes of New Orleans. Adjuah has released
thirteen critically acclaimed studio recordings, three live albums and one greatest hits collection.
Adjuah has worked with many notable artists, including Prince, Radiohead’s Thom Yorke, McCoy Tyner,
Marcus Miller, and more. Additionally, through his partnership with Adam’s Instruments, Adjuah has
designed a signature line of horns that are revolutionizing brass instrument design all over the
world. Since Adjuah’s emergence on the jazz music scene, he has been a passionate and vocal
proponent of human rights and an unflinching critic of injustices throughout the world.
Elena Ayodele Pinderhughes is an award winning flutist, vocalist, composer, and arts educator. She has
composed, performed, recorded, and toured with Herbie Hancock, Christian Scott aTunde Adjuah, Josh
Groban, Future, and others. She is currently working on her debut album, which showcases her unique
voice, flute playing, and compositional style. Elena’s experiences as a young woman of color in the arts
inspired her to create the Girls Empowerment Through the Arts (GETA) program. Elena has won numerous
awards including: “best soloist” at festivals and from Downbeat magazine, is a YoungArts Gold Award
recipient, and U.S Presidential Scholar in the Arts. She has performed in numerous venues, including:
Carnegie Hall, the White House, the Kennedy Center, and internationally in jazz festivals and clubs.
Samora Abayomi Pinderhughes is a composer, pianist and vocalist known for multidisciplinary projects
which use music to examine sociopolitical issues. He has performed at the Kennedy Center, Sundance Film
Festival, Carnegie Hall, and MoMA, and internationally. He is the first-ever Art for Justice + Soros
Justice Fellow, in support of his upcoming The Healing Project, and a 2019 Creative Capital grantee. He
is director and creator of The Transformations Suite, which combines music, theater, and poetry to
examine the radical history of resistance within the communities of the African Diaspora. He has
collaborated with Common, Herbie Hancock, Glenn Ligon, Sara Bareilles, and others, and he was
artist-in-residence at Joe’s Pub / The Public Theater. A Sundance Composers Lab fellow, Mr. Pinderhughes
scored the award-winning documentary Whose Streets? and the Field of Vision film Concussion Protocol.